Owen waited long enough to take in the question; then with a serenity startling even to her knowledge of his nature, "I don't think I can have really loved her, you know," he replied. Fleda's surprise at this aberration left her a moment looking at him. "Do you mean your marriage is off?"!

"Then, upon my honor, it's only you who make it so!" Her perversity was distinctly too much for him. "I mean you make it so by the way you keep me off." "You're not all right—you're all wrong!" Fleda cried in despair. "You mustn't stay here, you mustn't!" she repeated with clear decision. "You make me say dreadful things, and I feel as if I made you say them." But before he could reply she took it up in another tone. "Why in the world, if everything had changed, didn't you break off?"

The remark was disastrous. Mrs. Brigstock, on whom her brightness was lost, evidently thought it singularly free. She turned away, as from a presence that had really defined itself as objectionable, and Fleda had a vain sense that her good humor, in which there was an idea, was taken for impertinence, or at least for levity. Her allusion was improper, even if she herself wasn't; Mrs. Brigstock's emotion simplified: it came to the same thing. "I'm quite ready," that lady said to Owen rather mildly and woundedly. "I do want to speak to you very much." "'Even' the Maltese cross?" Mrs. Gereth rose as she sharply echoed the words. "My dear child, you don't suppose I'd have sacrificed that! For what in the world would you have taken me?" Fleda had more than one small errand in the big bazaar, and he went up and down with her, pointedly patient, pretending to be interested in questions of tape and of change. She had now not the least hesitation in wondering what Mona would think of such proceedings. But they were not her doing—they were Owen's; and Owen, inconsequent and even extravagant, was unlike anything she had ever seen him before. He broke off, he came back, he repeated questions without heeding answers, he made vague, abrupt remarks about the resemblances of shopgirls and the uses of chiffon. He unduly prolonged their business together, giving Fleda a sense that he was putting off something particular that he had to face. If she had ever dreamed of Owen Gereth as nervous she would have seen him with some such manner as this. But why should he be nervous? Even at the height of the crisis his mother hadn't made him so, and at present he was satisfied about his mother. The one idea he stuck to was that Fleda should mention something she would let him give her: there was everything in the world in the wonderful place, and he made her incongruous offers—a traveling-rug, a massive clock, a table for breakfast in bed, and above all, in a resplendent binding, a set of somebody's "works." His notion was a testimonial, a tribute, and the "works" would be a graceful intimation that it was her cleverness he wished above all to commemorate. He was immensely in earnest, but the articles he pressed upon her betrayed a delicacy that went to her heart: what he would really have liked, as he saw them tumbled about, was one of the splendid stuffs for a gown—a choice proscribed by his fear of seeming to patronize her, to refer to her small means and her deficiencies. Fleda found it easy to chaff him about his exaggeration of her deserts; she gave the just measure of them in consenting to accept a small pin-cushion, costing sixpence, in which the letter F was marked out with pins. A sense of loyalty to Mona was not needed to enforce this discretion, and after that first allusion to her she never sounded her name. She noticed on this occasion more things in Owen Gereth than she had ever noticed before, but what she noticed most was that he said no word of his intended. She asked herself what he had done, in so long a parenthesis, with his loyalty or at least his "form;" and then reflected that even if he had done something very good with them the situation in which such a question could come up was already a little strange. Of course he wasn't doing anything so vulgar as making love to her; but there was a kind of punctilio for a man who was engaged.